I wanted to give it a little time before commenting here on my recent trip to New York City to attend The Year Distilled-otherwise known as the Annual Webby Awards. PhotoSeed had previously been named the Webby winner in the Art category on May 1st of the year, thanks to the efforts of Jay David and Tyler Craft (formerly) of the TOKY agency of St. Louis; who, unbeknownst to this blissfully ignorant site owner, had entered it for consideration in the 16th annual installment of the award.

Of course, “giving it a little time” puts me at a seeming disadvantage when it comes to our lovable information superhighway. Speed is the thing they say: something I’m uncomfortable with when it comes to dealing with nuance in the form of the photographic heritage that will continue to evolve from here.

Even as a nominee for the award, an online editor in Spain asked if I had a press kit–an idea foreign to my way of thinking, but perhaps an essential component for those wanting a more concise definition of who and what we are. And so, from gray to black and white: the following a quote from the release later cobbled together courtesy of my wife, the friendly interrogator:

What’s your motivation?

I’ve always loved art in all its many forms, which is the foundation for the entire site. Photography was always one of those arts. I was lucky as a child to be exposed to all types of art—museums, music, drama, dance. In my teens, I became interested in photography. As a lover of art, I see beauty in the world. One of the most important elements of this site is for people to leave it with a renewed sense of the beauty that’s in our world. In some respects, the site is a keyhole to the past that doesn’t exist any longer on many levels.

The trip to New York was icing on the cake: a celebrity and bling-fueled feeding frenzy for those connected or in the know for all-things internet. Like the majority of winners, however, PhotoSeed didn’t enter the live-streaming conversation hosted by comic and actor Patton Oswalt, but took on the form of hand shakes and raised glasses among friends, just what I expected and cherish the most.  I would not have missed it. My wife’s observation before the show that several Hollywood movie stars were in attendance several feet from our conversation seemed most unconvincing to me, until TOKY owner Eric Thoelke mentioned one–Juliette Lewis (a Webby winner)–had played opposite Robert De Niro in the 1991 remake of Cape Fear. The other, an actress wearing a simple dress, only confirmed by me several days later when I saw her official red carpet photo, struck me as a “normal” looking person, and reminded me of those photographs I’ve seen of HM Queen Elizabeth II wearing a raincoat while blending in with the crowd.

Oswalt’s tongue-in-cheek opening monologue was spot on: especially the following observations:

This is the night when the best and brightest on the internet meet face to face…look at each other…and all say…you are not what I expected either…at all.  But the Webbys have brought us all together tonight to celebrate the thing that keeps us all apart. As well as also we are going to be celebrating the 5% of the internet that is not porn. So..really…that’s… kind of important. That’s right.

His middle thought bubble about the web keeping us apart seems especially acute today, and perhaps reason for alarm in terms of keeping humankind’s social construct going forward.

My eagerness to connect at the show resulted in one slightly ill-informed blog post several days after the fact, with the writer’s assessment of PhotoSeed being no more than a “fancy Flickr account for old-assed photos.” A good lesson in humility for me. It further reminded me critics will always exist, and looking back over 100 years, proof that history repeats. Even Alfred Stieglitz reprinted mocking reviews from the New York press in his journal Camera Work after his gallery, 291, mounted shows of art and photography that radically stirred the pot of public discourse. Ego aside, the journalist in me liked the ideas in this blogger’s writing anyway. Thank goodness someone is still willing to go out on a limb and call it as they see fit.

As for the show itself, which began outside the Manhattan Center on a drizzly, early New York City evening, the literal stars in Lou Reed’s lyrical song to Andy Warhol could be seen on the red-carpet and later in the house. Well before comic Louis CK wrapped it up several hours later by giving his five word Webby speech (“When I die, bye bye”), Apple’s founding icon, Steve Jobs, was memorialized by U.S. Presidents, Bono, and introduced by actor and activist Richard Dreyfuss. A man whose feisty demeanor has apparently continued unabated since his role in the 1977 film “Close Encounters of the Third Kind,” which finds him rearranging his living room into a mock-up of a Martian landing space.

But the biggest star on this night?  Photography itself. Those nicely dressed folks dishing out snappy five-word acceptance speeches on the Hammerstein Ballroom stage surely owed it big time, and so do I. Webby Breakout of the year Instagram, a social media app that, according to the breathless prose of the official awards booklet, was, among other things, responsible for “furthering the democratization of photography on the Web” was preceded by a lip-synced video spoofing so called “food porn” photography.

“Eat It Don’t Tweet It” by American Hipster + Key of Awesome makes fun of smart phone photographers who insist on photographing everything they eat and posting it to social outlets. Sung by three band members, one being an ordinary looking bloke as well as two keyboard players dressed as a cupcake and the other sporting a lobster suit, lyrics include more photographic references: “you are pathetic we’re not photogenic” and the real compliment if you are a photographer famous enough: “a gastronomic Annie Leibovitz.” The last two photographic highlights for the night I’ll mention are 1. inspiring and 2. weird.

In the inspiring category was the image of Holocaust survivor Tibor Sands, who stood on stage and accepted two Webby awards on behalf of the Remember Me? project done by The United States Holocaust Memorial Museum-voted best cultural institution on the web. But what sealed it was a simple portrait photograph projected behind him. Most in the crowd, myself included, may have mistaken it for a Nazi evidentiary photograph at first glance. But with a few keystrokes searching the Web, a happier background for it emerged, showing again photography’s importance as the ultimate documentarian. It turned out to be a passport photograph of a very young Tibor Munkácsi- taken in Germany’s Kloster Indersdorf near Dachau right after World War II by an American GI. As of this writing, 330 Holocaust survivors have been identified by means of anonymous photographs like this one because of the Remember Me? project.  Munkácsi, it turned out, was heading for a new life in England and eventually to the United States, where he changed his last name to Sands and became a cinematographer in Los Angeles. No wonder he can be seen with a slight smile on his face in the picture.

Finally, a dictator gets his due, sort of, and a great example of how photography can cut two ways. When he was alive, the official ministry of North Korean public relations-if there is such a place- periodically issued “official” photographs of their “dear leader”, better known as Kim Jong-il.

Enter Lisbon-based João Rocha to re-appropriate history in a most cunning and amusing way. What to do with this plethora of propaganda relating to photographs of Kim Jong-il in the blogosphere? Why, a dictator in a stiff suit, shades and void of all expression makes for the perfect aggregation target and voila, a new star of sorts in the form of a Tumblr blog called Kim Jong-il Looking at Things. Live on the Web since 2010, the site was awarded a Webby People’s Voice award, inducing no further comment other than the following observations from Rocha, who succinctly states his motivation thusly:

 “the dear leader liked to look at things.”
 “why is it so funny? i have no idea either”.