Moro Rock: Two Versions: Sequoia National Park

Moro Rock: Two Versions: Sequoia National Park

These two versions of Sigismund Blumann’s California photograph Moro Rock are instructive to those interested in the photographer’s darkroom skills in reinterpreting existing negatives. The prints have been hand-colored using dyes and finished with varnish. See how more striking  Moro Rock itself shows up in the bottom version. A smaller example of this photograph in this archive can be found here.

A slightly cropped version of this photograph appeared as a b&w halftone accompanying an article written by the photographer in Camera Craft:

Cameralogues | Sequoia National Park | Virgin Country for the Cameraist and Camera:

Moro Rock has as many aspects as there are points, half-points, and quarter-points to the compass. How it is shaped depends upon your approach to it. Its contours are temperamental. Seen from the highway, the Generals Highway if you please, it is massive, awkwardly bulky but impressive in a way. Look at it from the Switchback and it is a shapely mountain with all the dignity of standing alone, assertive, unafraid. Climb the nearby heights and it sticks up like the first phalanx of a giant’s thumb.

From every open vantage point in the park you can see old Moro. I have had its greetings from so many trails in such widely divergent places in the Sequoia district and from such different distances that my memory of the park somehow holds the rock as a pivotal point.

When and where the above picture was taken the flowers were in bloom and the Sierra are lavish in such wild-flowers as are indigenous to the soil and altitude. Oddly, these flowers are in marked contrast dimensionally to the trees and mountains. Some of them are tiny, even minute, but none the less charming. In this picture the foreground shows them out of drawing. They look as large as cauliflowers because of the exaggerated perspective and their masses.  (1.)

Moro Rock is a dome-shaped granite monolith. Common in the Sierra Nevada, these domes form by exfoliation, the spalling or casting off in scales, plates, or sheets of rock layers on otherwise unjointed granite. Outward expansion of the granite results in exfoliations. Expansion results from load relief; when the overburden that once capped the granite has eroded away, the source of compression is removed and the granite slowly expands. Fractures that form during exfoliation tend to cut corners. This ultimately results in rounded dome-like forms. (2.)

1. Camera Craft: July, 1933: p. 287

2Moro RockWikipedia accessed June, 2014

Title
Moro Rock: Two Versions: Sequoia National Park
Photographer
Country
Medium
Year
Dimensions

Image Dimensions19.2 x 24.2 cm (top) | 18.7 x 23.9 cm (botom)

Support Dimensionsnone

Print Notes

Recto: Top photo: signed in black ink by the artist lr: S Blumann; deckled edges; Bottom photo: not signed, “screen” pattern overall, with cross-hatching making up print border, print in need of conservation.

Verso: Top photo: signed by artist in graphite: Morro Rock; Bottom photo: screen-printed label direct to print in bright green ink with the following:  SIGISMUND BLUMANN | F.R.P.S. | 3217 DAVIS STREET | FRUITVALE – OAKLAND | CALIFORNIA U.S.A.

Provenance

Acquired for this archive from Michaan’s Auctions, Alameda, CA: August 16, 2024, Lot # 3245; From the late Stephen Headley’s Collection, former owner of Osceola Gallery, Emeryville, California.