White Mountains, N.H. from Weston’s Rivercroft Farm

When this photograph was first posted to PhotoSeed in January, 2019, we believed the vantage point for the work to be a location near Plymouth, New Hampshire, based on graphite attribution written on the framed photograph’s verso cover paper. Further research in January, 2020 revealed the actual location. 

Showing a mountainside farmstead in foreground neatly framed by the peaks of New Hampshire’s White Mountains, photographer William Boyd Post framed this view from an overlook in Fryeburg, Maine on the present-day Weston’s Rivercroft Farm, located along River Street. (ME Route 113) The view looks north by northwest towards New Hampshire, across what is known as the Saco River Intervales in the foreground. Rivercroft- still owned by the Weston family of Fryeburg, would have been very familiar to Post, because he married owner John Weston’s daughter Mary Webster Weston (1866-1957) on October 1, 1901. This photograph may also have been taken around the same time as the artist’s much better known work “Wintry Weather” from ca. 1903. Published as a photogravure plate in Camera Work VI, (1904) it shows a profile view of a farmhouse and barn located at 41 River Street in Fryeburg. 

Topographically, this scene is bisected by Maine Route 113, (River Street) first established in 1925. (1.)  The building at far right in foreground, located at 55 River Street in Fryeburg, is still part of the Weston farm, placed on the National Register of Historic Places in 2008.  Some background on this building, located directly north of River Street across from Rivercroft’s Second Empire style John Weston House, as well as a “Statement of Significance” for the farm itself, appears on the registration form for the 2008 designation:

Description: White Cape (Abbot House). Circa 1834. Contributing building.  55 River Street 

The White Cape is a low posted wood frame residence located on the north side of River Street. The one and one-half story building faces east toward a dirt dooryard. Attached to the north side of the house is a single-pitch wood shed/shop, which in turn is attached to a two-bay equipment shed and a gable front barn. The house rests on a granite foundation and has a corrugated steel roof. Two brick chimneys are positioned just east of the ridge, which runs north to south. Rectilinear in plan, the narrow building measures 56 by 18 feet, and has a 6 by 8 foot bump-out towards the north end of the rear elevation. A shed-roof dormer is located on the west side of the roof, south of the southernmost chimney. Narrow boards mark the corners of the clapboarded building, and a boxed cornice is positioned under the eaves. The primary facade, which is seven bays wide, gives the impression of two conjoined structures. The southernmost five bays feature a center door flanked on either side by six-over-six wood windows. The windows on the south side of the door are set at slightly wider increments than to the north. A wide undifferentiated segment of wall separates these latter windows from another door and a final six-over-six wood window which is slightly smaller than those in the south. Both doors are aligned in front of their respective chimneys and topped with three-light transoms. 

….. According to family tradition, while the new house was under construction the Westons lived across the street in the White Cape. The history of this house is unclear. Notes prepared by Mrs. John F. (Elizabeth) Weston in 1979 suggests that the house was erected circa 1834 – although based on the finishes and design, this may actually reflect the date at which the two sections were joined. Whether the building was built or expanded by Edward Weston or one of his family members is unknown, nor can it be ascertained whether any land on the north side of the road was part of the parcel Ephraim Weston purchased in 1800. 

William Boyd Post: 1857-1921

In 1898, American amateur photographer William Boyd Post moved permanently into his family’s summer vacation home in Fryeburg, Maine. He had just sold his seat on the New York Stock Exchange a year after his father had died. An active exhibitor since the late 1880’s with the New York Camera Club, his wealth and new life as a country gentleman gave him the opportunity to devote more of his time to the hobby he loved.

Photography scholar Christian Peterson, in his 2005 volume The Quiet Landscapes of William B. Post, states the artist first began taking winter photographs in 1895.  He would eventually devote a great deal of his time to the season, with his sublime masterpiece Intervale, Winter, taken in 1899, a direct nod to several of Peter Henry Emerson’s naturalistic winter studies which appeared in his 1895 volume Marsh Leaves. Later in the new century, Post continued taking winter landscapes, writing about it in 1910 in The Photo-Era.

1. River Street existed as an East to West roadway that bisected the Weston farm property around 1900 when this photograph was taken, with ME Rt. 113 extending River Street westward into New Hampshire beginning in 1925.