Featured Entries from the Photoseed Blog

New Additions
52 Entries

Technology meets Service

Jan 2014 | New Additions

A curious photograph entered this archive last year, and with the debut of a new season of Downton Abbey upon us here in the States, I thought it important to pay homage to those women who made English Service, from circa 1917, the noble effort it was.

Edward D. or Margaret Goulding (English, possibly Liverpool) vintage gelatin silver print, from 1917 compiled album, mounted individually within folder: (25.0 x 19.0 cm | 20.9 x 15.0 cm) on card recto: “Margaret Goulding” The vacuum shown may be an early “Sweeper-Vac” model from Worcester, MA.

New Year Greetings

Jan 2014 | New Additions, PhotoSeed, Significant Photographs

Unskilled & Unacquainted with Photography

Feb 2013 | Advertising, New Additions

Perhaps as a final swan song to its illustrious editor, the final issue of the American Amateur Photographer  in which Alfred Stieglitz was associated-December 1895-featured an actual gelatin-silver photograph by the American master.  (1.)

Detail: Alfred Stieglitz: “At Lake Como”: matt surface Velox (silver-chloride) print: 15.5 x 22.8 cm | 12.75 x 18.5 cm: from: “The American Amateur Photographer”: December, 1895: A Velox “Nepera Chemical Company” blindstamp can be seen at far right margin of print: from PhotoSeed Archive

But don’t get too excited. Unlike the exacting standards Stieglitz made in creating master prints from one of his own negatives, (often not exceeding one example) At Lake Como taken in 1887 was reproduced in several thousand examples for the issue. In fact, copy supplied by the paper manufacturer, the Nepera Chemical Company, inferred the simplicity involved in exposing the Velox paper it was printed on: “exposures were made by a boy unskilled or unacquainted with photography“.

From the collecting standpoint, especially by one of the medium’s greats, the print however is extremely rare, and is a continuation of the fascinating history of photographic marketing in which original prints were bound inside journals for the purpose of selling product, in this case the Velox brand.  You can read more about the process of making this print here, and see the uncropped version.

For myself, the artist’s intent for At Lake Como is more fully realized- and unfaded- in another version seen below: a hand-pulled gravure reproduced in 1893.

“At Lake Como”: 1893: hand-pulled photogravure by N.Y. Photogravure Company: 12.8 x 18.8 cm: which appeared in the December 1, 1893 issue of The Photographic Times: from PhotoSeed Archive

1. Stieglitz however did appear as co-editor on the masthead of the American Amateur Photographer along with F.C. Beach for the final issue of January, 1896.

Heaven’s Road, Traveled

Jan 2013 | New Additions

If we are extremely lucky, there will be people we meet in life personifying the ideal of who we might aspire to.  That was certainly true for me and Ruth Kaplan. Ruth, who passed away in a Florida hospice last week, was the mother of John Kaplan, one of my very best friends since college. I’m here to say they have both influenced my life for the better.

J.R. Peterson: American, Portland, Maine: detail: “Meadow Road”: 1906: vintage green-toned carbon print: 23.5 x 18.5 cm: unmounted. From: PhotoSeed Archive

A mom and devoted wife to husband Ralph, who passed away some years ago, Ruth was a gifted artist, journalist, and lover of nature; with orchids being a special interest. She was someone whose quiet dignity and wisdom I respected and hung onto whenever I had chance to spend time with her, but also, as I re-discovered last week while searching for old photos-someone who didn’t take herself too seriously-proven by a series of frames I took of her with John, where she mischievously stuck her tongue out in a few.

Hebrew scholarship states Ruth is the model for Chesed, () translated to loving kindness. My friend was the embodiment of this human virtue: for all who knew her, and those lucky enough to meet someone like her while traveling their own road of life.

Christmas Spirit

Dec 2012 | Childhood Photography, New Additions, Significant Photographs

Detail: 1895: “LA VIERGE A L’ENFANT”, (The Virgin and Child) Baron Adolph de Meyer: hand-pulled photogravure from: Bulletin du Photo-Club de Paris: December, 1896: 17.1 x 12.1 cm | 27.2 x 19.7 cm: PhotoSeed Archive

Dream Girls

Aug 2012 | New Additions

 My weekend adventure-mysterious airport layovers aside-celebrated my daughter’s graduation from college. And no, this certainly is not her photograph, for it most likely depicts a younger high school graduate instead, wearing a circa 1895 garment that is a true work of diplomatic fashion–incomparable to the disposable, one-zipper frock my daughter wore for her modern ceremony of pomp and circumstance.

James Lawrence Breese: United States: vintage lantern slide ca. 1895-1905: “Woman graduate holding Diploma”: support glass: 3.25 x 4.0″: window opening: 6.4 x 5.2 cm: from: PhotoSeed Archive

For those in the know, the journey of higher education is never easy or predictable, for student or parent. But to those students everywhere earning the right to walk with their class on graduation day, the commencement is rightful icing on the cake and a glorious stepping stone to the next chapter. In the case of this late 19th century lantern slide portrait seen here, the fact that women in the United States had not yet earned the legal right to vote does not diminish this graduate’s pride in her accomplishment, as evidenced by her strong comportment.

The ceremony I attended featured all the usual bullet points, with the comic relief of microphone malfunction segueing to the esteemed retired professor remarking on how the school’s newly inaugurated football prowess in the late 1940’s trumped the fact it had previously been known as an institution of higher learning for women only. Applause all around of course, but I rather like the fact the school has foundational women bones.

With my own parents supporting my dream of becoming a photographer long ago, my now fatherly advice to an alumni daughter stressed the practical, but also advised exploring the road less traveled with the idea of embracing failure in order to learn.

1 6 7 8 9