The bounty of Fall is in full-swing in many parts of the United States, along with the gourds that made Halloween famous.
The bounty of Fall is in full-swing in many parts of the United States, along with the gourds that made Halloween famous.
“And I never saw that love did any harm anywhere or was complained about O my brothers when you understood it:
For that’s about all life comes to anyhow—comes to the love we can put into it:
I just give you what I’ve got, dear comrades.” -Horace Traubel
In this 200th anniversary year of American poet Walt Whitman’s birth, articles and exhibitions abound, celebrating the continuing relevance of America’s “Bard of Democracy”. But who was largely responsible for initially preserving, and thus memorializing for a larger audience this most important literary voice? A gentleman by the name of Horace Traubel. (1858-1919)
Three years ago I had the good fortune of purchasing a heraldic roundel portrait of Traubel, the one featured above taken by a fellow Philadelphian, pictorialist photographer Allen Drew Cook. (1871-1923)
Best remembered as the literary executor and biographer extraordinaire of Walt Whitman, Horace Traubel was also a magazine publisher and committed socialist who held the poet’s hand on his deathbed and compiled nearly two million words over the last four years in daily conversations with him, later transcribing and publishing in his lifetime the first three volumes of what would become his nine volume opus: With Walt Whitman in Camden. (completed 1996)
Unlike Whitman, whom The Guardian newspaper notes in an article published this year “was also the 19th century’s most photographed American writer”, (1.) there are only a smattering of photographs featuring Traubel-most being credited to Cook. By and large, Horace Traubel is a figure in American letters most people have never heard of.
But concerning the roundel portrait of Traubel, what a difference between it and the staid portraits published during his lifetime! The seller described it thus: “Vintage Risque Photo Handsome Shirtless Man w/ Love Poem c. 1910 Gay Interest”. If you are a collector like me, the proverbial eye roll is something experienced practically every day in the course of searches for new treasure. To wit: if it’s a photo depicting two men together- or for that matter, two women- a seller might add the descriptor of “Gay Interest” to the listing. This is laughable on the face of it, as to my mind there is often a complete disconnect between reality often taking over the minds of sellers intent on rewriting photographic evidence for the sole purpose of making a quick buck.
But not always. Fortunately for me, and unbeknownst to the seller, I had a hunch who the sitter of this portrait was. My offer accepted, I only later determined “gay interest” was only the tip of the iceberg.
After some sleuthing, I discovered this portrait had seemingly been published only one time in 1919: as the dust-jacket illustration to a limited-edition posthumous work on Traubel written by his biographer David Karsner, a close friend who describes him as part Karl Marx and Jesus of Nazareth, and “in possession of a point of view which issues a labor-conscious ‘warning and challenge.” (2.)
But unlike the aforementioned staid portraits, which always show him wearing a shirt or jacket- this profile view was unusual for the time in which it was made- 1910-bare-shouldered, and thus sans shirt. When I finally made out the signature of the person this particular print was dedicated to-personally inscribed by the sitter on the print surface recto to someone named “Wiksell” in the upper left corner, it all came together. For on the inside cover of the folder in which this portrait appears (when purchased it was framed) Traubel has inscribed several lines- a love poem, if you will, confirming the sellers hunch, “For Percival Wiksell- 1910” :
You don’t know me? I do not wonder: I dont know myself: I am at a loss about myself:
You ask: who are you? and I shake my head : I look at you and say nothing:
I come to you but I could not tell why: I have something for you but I could not tell what:
Out of me some flower will blossom out of my seedthrow some harvest will come. – Horace Traubel
(From Optimos: “I Just Give You What I’ve Got”- 1910)
The recipient, Gustave Percival Wiksell, (1863-1940) was a Boston dentist who served as president of the Walt Whitman Fellowship from 1903-1919. So devoted was this disciple to the master that he went to the length of replicating the now famous pose Whitman took from a now lost 1854 daguerreotype by Gabriel Harrison made into an engraving and used as the frontispiece illustration for the 1855 & 1856 editions of Whitman’s masterpiece Leaves of Grass.
Wiksell’s papers are now in the Library of Congress in Washington and he was known to have eulogized Horace Traubell at his funeral in 1919. More than one Traubel scholar lays out the evidence that Wiksell and he were more than good friends, but I will leave that for your own further inquiries. (further attribution can be found in a cutline with this post)
Five years ago on July 4th, America’s birthday, I published a post featuring several vintage likenesses of Walt Whitman- “Oh Say Can you See?” and his importance to capturing the enduring spirit of our country. In this, Traubel certainly will never be magically rediscovered as the good gray poet’s literary successor (none other than H.L. Mencken derided his poetry as “dishwatery imitations of Walt Whitman, around whom Horace, in Walt’s Camden days, revolved as an humble satellite.”) (3.) But his ideals as one spreading love as written in the lines at the top of this post-a socialist ideal in the vein of Whitman- are surely honorable and needed in the fractured American present. Instead of cleaved partisan camps and tribes seemingly taking over our national conversation, how about a bit more love comrades? Socialism has nothing to do with that last word, by the way. Instead, let’s celebrate the ideals of our national melting pot, and give all her citizenry power to the truth of her motto: “E Pluribus Unum” – Out of Many, One.
Just what Horace would have wanted.
Notes:
1. Excerpt: The Guardian (online): Julianne McShane: “Walt Whitman: celebrating an extraordinary life in his bicentennial”: June 12, 2019. One hundred thirty photographic portraits of Walt Whitman have been identified to date.
2. Excerpt: Online resource Poetrybay: Fall, 2009: commentary on Traubel by Karsner.
3. Excerpt: Review: “Optimos” : “Novels for Hot Afternoons”: H.L. Mencken: The Smart Set: July, 1911.
A Happy Fourth of July to All!
Herein a summer interlude, if you will, of still, trickling and gushing streams from years past. And if they inspire and beckon for the present, find your own peace or wonderment in the mountains, valleys or pastures of summer wherever your own stream flows.
By the Stream
Paul Laurence Dunbar (1872-1906)
By the stream I dream in calm delight, and watch as in a glass,
How the clouds like crowds of snowy-hued and white-robed
maidens pass,
And the water into ripples breaks and sparkles as it spreads,
Like a host of armored knights with silver helmets on their heads.
And I deem the stream an emblem fit of human life may go,
For I find a mind may sparkle much and yet but shallows show,
And a soul may glow with myriad lights and wondrous mysteries,
When it only lies a dormant thing and mirrors what it sees.
I lost my mother-in-law this past Easter. Besides her strong faith, which made Maria Meek’s passing on the Christian day of renewal seem like destiny after a nearly 20-year battle with various cancers, her selfless devotion to cats will always remain with me.
Like this feline, who bear’s an uncanny resemblance to Maria’s beloved Oscar, one of her many rescues who went from cold factory floor to a home-life of pampered bliss, please consider a donation to your local Humane Society or pet shelter in remembrance to those whom you have loved.
Happy New Year!